Movies about entering dreams is the stuff of Hollywood and Mysticism. Thank God Science can not crack the code here, otherwise, mankind would be subjected to commercials and paying taxes in the Dreamscape. The economy and order of law follow different formulas as set by waking reality. Really, in the Dreamscape there is no government, no laws, no police, it is a free zone consciousness that no other man nor woman can create a system of control, or promote their agenda. Or can they?
Before Inception 2010, there was Dreamscape 1984. There are only ever a few good dream themed movies are made every once and a while. In one scene a man enters a boy's recurring nightmare about a snake-monster man. Dennis Quaid helps a young boy face his fears in the oochy-goochy 1980s movie.
Since we have a snake-like being. It is fitting to include this entity on the DONT TREAD ON ME FLAG.
The Legend of Zelda was the ultimate 1980s adventure game. It peaked right around 1985 and is masterpiece of pixelated glory. Loved my many, it continues to generate a legacy. Even the original is still a fun challenge for modern day gamers. I suppose it is something like 1980s music, many songs still hold an enchantment over the younger generations. However there are plenty of 1980s music and video games are are perpendicular that should be kept back in 1985.
Zelda had an enemy called the Rope, which was a snake. Kind of a weird name for a snake, but a snake is shaped like a rope? Maybe even a wire? Good thing they didn't call them a pipe
Blessings and providence are chruchy terms that carry that certain Truthiness. In 1531 a certain kind of miracle occurred in Mexico, New Spain. The Virgin Mary was reported to have appeared to a humble John the Diego, also known as Juan Diego. The appearance of the Virgin Mary to Mr. Diego in 1531 became epic when roses given by the apparition placed in his pancho-like-snuggie miraculously turned into the image of the Virgin Mary, which formed into Our Lady of Guadelupe in front of the Bishop of New Spain, Mexico and staff members.
By providence, the name of the Treaty that brought everlasting peace between Mexico and the United States was the 1848 Treaty of Guadelupe Hidalgo. This treaty saw that nearly half of Mexico was destined for the United States.
This flag can be flown over any region of the US that was apart of the Treaty of Guadelupe Hidalgo. The flag is based upon the modern California flag. Instead of a grizzly bear, we have the Our Mother of Guadelupe and the background is taken from the coat of arms from the Mexican state of Hidalgo. Thus the background, bell, and liberty cap represent Hidalgo, while the impression of Our Mother of Guadelupe is eponymous with Guadelupe.
This is kind of fun flag, that can be used to teach and connect Aztec-Mexican culture to American cultures. Although grounded to Catholic culture, the image of Guadelupe is renowned by all of Spanish speaking Latin America, since this miracle happened during the 1513, which was 300 years before any of the Spanish Speaking states were considering independence.
And don't get Guadelupe confused with Guadeloupe. The one with extra letter O refers to a French speaking island in the Caribbean.
The flag for the State of California is the kind of flag an artist can have fun with. On this blog numerous bears from pop-culture have replaced the bear on the official state flag. Most of the time, it was done here first, and later, other blogs would follow in the wake to catch up and copy. The flags done with Q*Bert were the original sun-mods that were later followed. Likewise, this blog was first to put up Science Bear for the Element of Californium.
However this California flag is a Retro-Trutro type of flag that takes the original bear from the Bear Flag Revolt and uses it as the bear.
Likewise, you have to take the other side into account so we have Retro-Redo of the original flag with a the modern official bear. Enjoy!
One of the grandest effects of movie making was stop animation. Perhaps the King of Stop Animation was Ray Harryhausen, a true Golden State Warrior from Los Angeles California, who was born about 100 years ago, on June 29, 1920. Harryhausen added that American charm in cinema and became of Key Note of the classic 1950s sci-fi. His last major project as the lead imagineer in Hollywood was in 1981 with Clash of the Titans. His animated Medusa was from another world and would haunt the imaginations of Generation-X.
In honor of this masterful sculptor, we have the Medusa Gadsden flag. There is also a Greeklish translation that which you can find here readsΌχι Πάτημα Επί Μου which you can find here.
The rainbow is a powerful and naturally awe inspiring natural phenomenon. But depending on the context they can have several connotations. In the world of video games it became of polarizing symbol during the 1980s. Two software (app makers) companies used the rainbow in the 1980s and created a full spectrum of emotions that can be associated with this natural icon as it was in the 1980s video games: from boredom, anger, revulsion, frustration, mild amusement, nostalgia, joy, and love.
First with the Atari entertainment system, ACTIVISION used the rainbow in their original logo. It was a straight rainbow of red, orange, yellow, green, and blue fimbrated with white lines between the colours. Whenever one saw the ACTIVISION rainbow, it was sign of trust, and chances were you were getting a quality game worth every dime. However in the latter 1980s another company chose this lovely symbol — Ljn. Within the context of Ljn, the rainbow became a repugnant symbol and laughing stock of the 1980s. Chances are you were getting a second rate, disconnected, low quality experience. The Ljn rainbow was curved, but it was a backwards, the upper rainbow—the top band was violet and the lower was red—without the fimbration.
The quality of work between Ljn and ACTIVISION is tied to their origin stories. ACTIVISION was formed by maverick Atari programmers who were sick and tired of corporate bean counters running the show, who knew little of game design or tapped into the core joy of the product and treated the staff like disposable pieces of trash. Rather these talented code writers, took the big risk of running their own company. The result was a slew of game changers that rocked the market. The foremost example being Pitfall! that generated the most original and iconic hero of the Atari Age, Pitfall Harry. Pitfall Harry was the literal forerunner to Mario and Luigi. Nine times out of ten, when you unpacked an ACTIVISION game that straight rainbow became a testament of these justly righteous souls.
After the Atari Age ended, the Nintendo Age took over. The idea of adapting popular movies to videogames was still something Hollywood suits still couldn't wrap their head around. A video game based upon Jim Henson's 1986 Labyrith? Who would want such a thing? There were so many action movies that missed out on a video game tie through the 1980s and 1990s. However one snarky salesman from Ljn. was able to gobble up all the movie rights and turn a quick profit of the short sighted design. His motto seemed to be Kids are Stupid and will buy anything with the "subject logo."
Ljn. was able to snap up the rights for video games and make a quick profit. Instead of employing talented game designers to make awesome games, Ljn created less than inspiring games that ran on name recognition. Subsequently Nintedo's Back to the Future, the X-Men, and Bill and Ted were destined to have way, not cool, mis-adventures into waste-o-timeland. Back then, there was no internet to rate games, and the magazines that did were all shill five 'n dime outfits that had to give good reviews to maintain insider access. However, Hollywood could not yet see the big picture and saw video games as.... kids stuff. But today, any suit will recognize that video games haul in more cold hard cash that most movies, nowadays. Back then, the studios sold out to Ljn just because of the Ljn's short sighted businessen plan.
Imagine if Hollywood would have sold the rights to Back to Future to Konami or Capcom? The extra schwag and rights generated from those games today could still be turning a profit. No doubt a Bill and Ted 1980s Nintedo Game by Konami would have been beyond awesome, and not to mention very profitable.
But no, the suits went with what they knew and they all seemed to know Ljn because some joker of slick salesman made quick promises and had a safe established track record. Getting input from the fans is always wise idea, but history loves to repeat itself. And big corporations often get a big ego and end up with expert group think, that thinks they know better. Perhaps the middle road if the best. Listen to the experts and listen to the people.
Thus today, if you lived through the Ljn and Atari periods those rainbows conjure up two different feelings. The Ljn rainbow is the bane of Nintendo, that fills the soul of why!? Why God? How do these turds of such missed potential rise to the surface. On the other hand, Activision conjures up lovely sparkles of memory that carry on today. Even deeper, it is a blessing that Ljn was able to create such crappy games, consequently this electrion manure became the fodder that allowed the AVGN to bloom and create content of wisdom. Thus with any curse they is a silver lining, which is only visible years afterwards.
The Japanese Maritime Flag for the Number Nine composed of three colours: blue, white, and red. A white diagonal tilted from the bottom to the top, near the hoist to fly is white. This white bottom-top diagonal separates a blue triangular field on the hoist and red triangular field on the fly.
This is page taken from a Japanese Signal flag book. Japanese Auxiliary Number Flags were used in combination with International Maritime Flags.
The codes with Kokono are highlighted.
Below is an image of the Signal Flag Cache from the Japanese Maritime Self Defense Forces.
